Enter to win a family break to Salisbury

December 5th, 2017

Don’t miss out! Win a family break to Salisbury

Here at Lovereading.co.uk and Lovereading4kids.co.uk we have joined with VisitWiltshire and are delighted to be giving you a chance to win a wonderful family break in Wiltshire. You could see yourself indulging in the finest food and slumbering comfortably into one of the grand rooms at The Red Lion Salisbury for two nights. The Red Lion Hotel is located in medieval city of Salisbury, which is home to all your favourite stores as well as independent shops, restaurants, cafes and parks and green spaces.

 

 

There are many seasonal events in Salisbury, and you can find out what’s on here. You will also receive a family ticket to Sir Harold Hillier Gardens, the gardens are especially beautiful in the winter, with bold coloured stems, scents, and fabulous foliage, you can be sure to be impressed. For the children there is also a play park, and you can stop off in the Victorian tea room to warm up and treat yourself to a traditional cream tea.  

To enter click here.  Entries close 31st January 2018.

Terms and Conditions

Red Lion: Two night stay includes breakfast for two adults and up to two children sharing a family room. Subject to availability and cannot be exchanged or redeemed for cash value. Not to be used in combination with any other offer. Valid until 1st Dec 2018 and excludes bank holidays

Sir Harold Hillier Gardens: Valid for day entry, Not to be used for special events or group entry. Voucher is not transferable or refundable, no Cash Value. Ticket must be redeemed on entry. Valid until 31 Dec 2018. Gardens open daily from 10am – closed Christmas Day and Boxing Day. Prize admits 2 adults and accompanying children Under 17 FREE to Sir Harold Hillier Gardens.

Entries for the 2018 Wicked Young Writer Awards are now open!

December 4th, 2017

Now in its 8th year, the Wicked Young Writer Awards is a chance for young people from across the UK and Ireland aged between 5 and 25, to write on a theme or subject of their choice, so absolutely anything! It’s your chance to get creative and write on any theme that interests you. Young people are free to submit entries written at home or at school, and teachers are encouraged to enter writing on behalf of their pupils. The judges want to hear your voices through original writing and stories.

FICTION categories – any creative writing will be accepted including a story, play, or poem with five age ranges – 5-7 years old   •   8-10 years old   •   11-14 years old   •   15-17 years old   •   18-25 years old

NON-FICTION categories – enter the Wicked: For Good Award for Non-Fiction and write an article, essay, biography, review or letter, to name a few! – 15-17 years old   •   18-25 years old

Launched in 2010, the free-to-enter, annual creative writing competition for 5-25 year olds raises money for, and awareness of, the National Literacy Trust who campaign to improve public understanding of the vital importance of literacy.  The Wicked Young Writer Awards was established by the long-running musical WICKED to link the important messages of the production with a competition that would inspire young people to use creative writing to look at life a little differently. Since its launch in 2010, over 20,000 entries have been received.

Deadline for entries is  MONDAY 12th MARCH 2018. Entrants can submit their writing by visiting www.WickedYoungWriterAwards.com, where they will also find writing tips and resources from the Award judges.

 

JUDGING PANEL – The acclaimed WICKED YOUNG WRITER AWARDS, created and sponsored by the award-winning musical WICKED in association with the National Literacy Trust, are delighted to announce that author, award-winning journalist and former Labour MP Ed Balls is returning to join on the judging panel, alongside acclaimed Young People’s Laureate for London, Caleb Femi and Editor-in-Chief of First News, Nicky Cox MBE. Author and illustrator of the How to Train Your Dragon books, Cressida Cowell, returns as Head Judge for the fourth consecutive year, together with long-standing judges Jonathan Douglas, Director of the National Literacy Trust and Michael McCabe, Executive Producer of WICKED.

RULES

  • 750-word limit (not including the title words)
  • Entrants must be aged between 5-25 years old when entering the Wicked Young Writer Awards
  • Entries can be hand-written or typed
  • Writing must be original and your own ideas
  • Judges criteria: originality, narrative, descriptive language, characterisation.
  • Ensure that all students include their name, surname and age on the entry form
  • Open to UK residents only

Full Rules can be found at Wicked Young Writer Awards

PRIZES

  • 120 finalists from across the UK will see their work published in the WICKED YOUNG WRITER AWARDS Anthology, which will be published in association with Young Writers (www.youngwriters.co.uk). The 120 finalists are also invited to an exclusive ceremony at London’s Apollo Victoria, home to the musical WICKED since 2006, where judges and members of the WICKED cast announce who has won in each category.
  • The overall winners from each category will win £50 book/eBook tokens, and the 5-14 year old winners will receive £100 worth of books for their school library kindly donated by Hachette Children’s Group.
  • Winners in the 15-17, 18-25 and FOR GOOD categories will also win an exclusive writing experience with one of the Awards’ literacy partners.
  • The three schools that submit the most entries will also win a Creative Writing Workshop for their school for up to thirty students delivered by WICKED’s education team.
  • Winners in all categories receive a VIP family experience at the West End production of WICKED, including tickets, an exclusive backstage tour and a meet-and-greet with members of the cast.

AWARD PARTNERS

NATIONAL LITERACY TRUST – The Award is proud to partner with National Literacy Trust.  One person in six in the UK lives with poor literacy. This holds them back at every stage of their life. As a child they won’t be able to succeed at school, as a young adult they will be locked out of the job market, and on becoming a parent they won’t be able to support their child’s learning. Lacking these vital skills undermines their well being and stops them making a full contribution to the economic and cultural life of our nation. The National Literacy Trust is a national charity dedicated to raising literacy levels in the UK. It works to improve the reading, writing, speaking and listening skills in the UK’s most disadvantaged communities, where up to 40 per cent of people have literacy problems. Its research and analysis make it the leading authority on literacy. Because low literacy is intergenerational, the National Literacy Trust focuses its work on families, young people and children.

FIRST NEWS – First News is the Media Partner to the awards and is the UK’s only newspaper for young people. It was founded in 2006 by Sarah and Steve Thomson with editor Nicky Cox. It has always been independently owned and have no political affiliations. It is published both print and digital editions every Friday. Ten years on, over 2 million young people nationwide read First News each week with over half of all UK schools subscribing to the paper.

LOVEREADING – We have just joined the Awards as a partner for 2018. LoveReading is a unique family of websites including Lovereading.co.uk, Lovereading4Kids.co.uk and Lovereading4schools, and media channels which helps to connect writers, readers, publishers and organisations with an active and enthusiastic audience of book lovers.

THE LITERACY SHED – a unique online resource for teachers, home to a wealth of visual resources collected by primary school teacher Rob Smith over 10 years as a teacher. The Literacy Shed has over 24k followers on Twitter.

PRIMARY TIMES – over 18 million copies of Primary Times magazines distributed every year through primary schools in 59 regions across the UK and Ireland.

 

ABOUT WICKED
Based on the acclaimed novel by Gregory Maguire that ingeniously re-imagines the stories and characters created by L. Frank Baum in ‘The Wonderful Wizard of Oz’, WICKED tells the incredible untold story of an unlikely but profound friendship between two sorcery students. Their extraordinary adventures in Oz will ultimately see them fulfil their destinies as Glinda The Good and the Wicked Witch of the West.  Now in its 12th year in London and acclaimed as “one of the West End’s true modern classics” (Metro), WICKED has already been seen by over 8.5 million people in London alone and is the recipient of over 100 major awards worldwide, including ten theatregoer-voted WhatsOnStage Awards (winning ‘Best West End Show’ on three occasions) and two Olivier Audience Awards in the UK.

Budding writers become published authors with the Short Story Prize

November 26th, 2017

The National Literacy Trust and Bloomsbury Publishing have announced the winners of the Short Story Prize.

The competition, which launched in March, challenged budding authors to capture children’s imaginations by recreating a classic fairy tale with a modern twist, aimed at an audience of eight to 12-year-olds.

 

Hundreds of 2,000 – 4,000 word entries were received and judged by a panel including award winning children’s author Chris Priestley, members of the Bloomsbury Editorial team and Jonathan Douglas, director of the National Literacy Trust.

 

The eight winning stories will all be included in an eBook anthology by Bloomsbury and the newly-published authors will also receive £200 each.

 

  • Beardunzel by Annie Edge
  • The Perfect Child by Charlotte Goddard
  • VANISHED by Frances Stickley
  • The Mysterious Transformation of the Prince of Amphibia by Stephanie Aslan
  • Sarah Snow and the Seven Spacecraft Engineers               by Mirandy Luby
  • Rapunzel’s Reunion by Emma Young
  • The Giant’s Child by Vicky McFarland
  • The Problem with Mr Woolf by Kelly Archer

 

The money raised from entrance fees to the competition will help the National Literacy Trust to continue its work helping to give disadvantaged children the literacy skills they need to succeed.

 

Jonathan Douglas, Director of the National Literacy Trust and Short Story Prize Judge Panellist said:

 

“Exciting and inspiring literature is vital to our work and we are delighted that the Short Story Prize has helped up to uncover such brilliant new children’s writing talent. A huge congratulations to our winners, who can now say they are published authors thanks to Bloomsbury Publishing.

 

“A huge thank you to everyone who entered the competition – the money raised will help us to inspire more children to enjoy reading, which has an important impact on how well they do at school and in the future.”

 

Ian Lamb, Head of Children’s Marketing and Publicity at Bloomsbury Publishing Plc said:

 

“We were blown away by the many wonderfully twisted Short Story Prize entries and are delighted to have discovered fantastic new writing talent with the National Literacy Trust.

 

“We hope that the published eBook will inspire young people across the country to enjoy reading… and perhaps even write a short story of their own.”

 

Find out more at www.literacytrust.org.uk/shortstories

CHICKEN HOUSE EXTENDS CHILDREN’S FICTION COMPETITION DEADLINE

November 26th, 2017

As an early Christmas treat to aspiring writers and to celebrate its tenth year, Chicken House are extending the deadline for this year’s Times/Chicken House Children’s Fiction Competition to Wednesday 20th December 2017.
The annual competition – the UK’s most valuable for children’s writers – offers unpublished and unagented writers all over the world the chance to submit their work to Chicken House’s team of readers. One talented writer will win a worldwide publishing contract with Chicken House with a royalty advance of £10,000. We are on the lookout for original ideas, a fresh voice and a story that children will love!
To enter, writers must have written a completed full-length novel suitable for children or young adults aged somewhere between 7 and 18 years. We ask that manuscripts are a minimum of 30,000 and maximum of 80,000 words in length. Entrants can submit either online or via post.
The competition has sparked the careers of many successful children’s authors, such as Sophia Bennett (author of eight children’s books, including her 2009 winning novel Threads), Tom Ellen and Lucy Ivison (authors of Lobsters, shortlisted for the inaugural YA book prize and a 2013 competition shortlistee), and Anna Day (author of The Fandom, Chicken House’s fastest-ever-selling foreign rights title and a version of which was shortlisted for the 2014 competition).
Judges last year included Chicken House’s MD Barry Cunningham (known for discovering J.K. Rowling), Times Arts Editor Alex O’Connell, Waterstones children’s buyer Florentyna Martin, and children’s authors Kate Saunders and Katherine Woodfine.
‘Since 2014, we’ve had three books published, seen them translated into more than ten languages, and spoken at literary events from Hay-on-Wye to Utrecht, and it is basically all thanks to the Times/Chicken House competition.’ – Tom Ellen, co-author of Lobsters and Freshers
‘Entering this competition is one of the best decisions I ever made. I was unpublished, unagented, unheard of, and now I’ve just sold my 25th licence … and I didn’t even win!’ – Anna Day, author of The Fandom
FAQs and full terms and conditions of the competition can be found at www.chickenhousebooks.com/submissions
For more information, please contact Jazz Bartlett: jasmine@chickenhousebooks.com

The Sleighmaker: A Christmas Story That’s Never Been Told By Ian Shepherd

November 9th, 2017

As warming as a hot minced pie and mulled wine, this unashamedly traditional Christmas story will delight children and adults alike.

Set in the late 1800s, it’s a bitter-sweet tale that harks back to the traditional yuletide tales of the Victorian era.

An impressive debut novel by Ian Shepherd, The Sleighmaker is ostensibly aimed at children aged seven and up, though it will certainly appeal to kids in a higher age bracket. While it might be a little challenging for seven-year-olds to read by themselves, grown-ups are sure to enjoy reading it to younger children.

The main character is Drummond, a master-craftsman once known as the most talented sleighmaker in the land.

After a tragic event, Drummond turns his back on his trade and leads a lonely life, shunning the company of others, before an old friend manages to get him to agree to work on the estate of the local gentry, Lord and Lady Harrington.Here he labours alone, embracing the solitude his new work gives him, until his life is changed by the arrival of a cheerful young boy known only as William, whose way with animals manages to prevent a riding accident involving the Harrington’s young son, Henry.

Wise beyond his years, William comes to work as Drummond’s apprentice and, along with his close companion, kitchen maid Marny, manages slowly but surely to bring a warmth back to the sleighmaker’s life.

William discovers a magnificent sleigh that Drummond had once built, now mothballed in his workshop, and eventually convinces his master to restore it for the coming winter parade.

Filled with a real sense of purpose for the first time since the tragedy, Drummond gets to work on the sleigh, enlisting the help of his friend and artist, Auguste.

It’s not easy for Drummond to continue, given his traumatic experiences, but with the loving support of William and Marny he fashions a sleigh fit for a king.

There’s a magical twist to the tale that I won’t spoil, but it’s enough to say that Drummond’s sleigh gets to serve its purpose with aplomb and is finally rekindled with the Christmas spirit and the promise of a bright future.

The Sleighmaker is an unashamedly traditional Christmas tale a million miles away from the typical modern children’s books, and is all the better for it.

The sad but ultimately uplifting story of Drummond is rich with description and nuance, presents engaging characters with depth, and though dealing with some dark issues, does so in a sensitive way.

Ian Shepherd revels in the sights, sounds and tastes of a Victorian Christmas, with readers almost able to taste the rich cakes and chocolates, fresh-baked bread and hot soups that the author so evocatively describes.

And he is confident to take his time with the narrative, building up to the wonderful and memorable ending without ever rushing and forcing things.

It’s a charming, classic Christmas story that celebrates all that is good and true about this most special time of year and it would no doubt work very well on the big screen.

For anyone who yearns to return to a simpler, less commercial time; when Christmas was still a magical occasion about family and enjoying your time together as opposed to staring zombified into digital devices; this novel will be sure to delight.
The Sleighmaker by Ian Shepherd is out now through Raj Joshi Publishing and priced £11.99 in hardback, £6.99 paperback and £4.60 as a Kindle eBook. Visit Amazon UK.

Win a family ticket to see The Gruffalo’s Child Live on stage in the West End plus a copy of The Gruffalo and Friends Annual 2018

October 30th, 2017

Following hot on the heels of The Gruffalo’s monstrous success comes The Gruffalo’s Child – with attitude! Just how brave is she? Find out for yourselves by joining her in the West End this Christmas!

The Gruffalo said that no gruffalo should ever set foot in the deep dark wood. . .

One wild and windy night the Gruffalo’s child ignores her father’s warning and tiptoes out into the snow. After all, the Big Bad Mouse doesn’t really exist… does he?

Tall Stories returns, bringing Julia Donaldson and Axel Scheffler’s award-winning sequel to life in this magical, musical adaptation.

**** “Fun, daft and a little scary!” Time Out

The Gruffalo’s Child Live is playing at the Lyric Theatre Shaftesbury Avenue from 22 November to 7 January.

For more information and to book your tickets (from £15), visit gruffaloschildlive.com

Running time: 55 minutes (no interval). Recommended for ages 3+.

Terms and conditions: One winner will receive a family ticket (four tickets, minimum one adult) to see The Gruffalo’s Child Live at the Lyric Theatre valid until 16 December, excludes 12pm weekend performances plus a copy of The Gruffalo and Friends Annual 2018. Subject to availability. No cash alternative. Travel and accommodation not included. The Gruffalo’s Child © Julia Donaldson and Axel Scheffler 2004 – Macmillan Children’s Books.

To enter the competition to win the family ticket to The Gruffalo’s Child Live on stage in the West End plus a copy of The Gruffalo and Friends Annual 2018, click here.

Entries close on 20th November 2017 and winners will be notified soon after.

An exclusive Q&A with Annabel Pitcher

October 19th, 2017

The Last Days of Archie Maxwe​ll: Annabel Pitcher published by Barrington Stoke

Could you introduce The Last Days of Archie Maxwell to us in less than ten words?
A boy, a girl, a secret, a suicide.

What drew you to writing for young adults in particular?
It was never a choice. It was something subconscious; some inner, unknowable desire to pick up a pen and start creating stories about, and for, young people. I am simply not drawn to writing for adults. It has never been an ambition of mine, but since my early twenties, I have felt utterly compelled to write for children and young adults. I can’t really describe it. I don’t do it out of duty, or some lofty desire to make sense of my own childhood, or to reach out to children who might be struggling. I do it because I am meant to do it, and because it fascinates me, and moves me deeply.

What did you begin with; the characters or the sense of the driving force of the story?
This is so tricky to answer. It is different for every book, and it is hard to put into words that first, mystical flicker of inspiration. With Archie, it was a number of things. The location was important. I walk my dog by a train track, crossing it several times, always surprised and a bit unnerved by how easy it would be to not get off the track when the signal turned from red to green. The rumble of the trains accompanied my thoughts for many long hours, and slowly, the vague outline of a story about a boy who lives by a track and is tempted to do the unthinkable started to emerge. I had also, somewhere, had an idea for a book that began with a boy and a girl going to a bridge to commit suicide on the very same morning. What would they do? What would they say? Would they still feel a duty to save each other, even if they were about to die themselves? Some of these questions found their answers in The Last Days of Archie Maxwell. One thing I can say for sure is that I am not a plotter. I don’t like to have a hard and fast plan when I write. I rely much more on feel and instinct, and allow the characters to drive the story as much as possible.

Is this the first novella length story that you’ve written?
It is, and I absolutely loved the experience. It was wonderful to get the chance to focus on something smaller, where each word, and the position of each word, has a huge part to play. It felt a little like writing poetry at times.

  • Why did you decide to write for Barrington Stoke?

I used to be an English teacher, so I have seen first-hand how daunting reading can be for many students. If words are frightening, picking up a book crammed full of them is a huge ordeal. But stories are for everyone. And everyone, no matter what their reading ability, has the right to access good stories, and hard-hitting stories, which aren’t dumbed down in anyway. That’s what Barrington Stoke represent and I was honoured to be asked to write for them.

What is your writing day like?
Unfortunately there is no such thing! I am a mum of two boys (3 and 1) so my life is happily chaotic at present. I squeeze my writing in wherever I can, so I find myself writing at 4am, or midnight, or during nap times, or at the weekend when my husband takes our sons swimming. It is a tough juggling act, sometimes, but I wouldn’t have it any other way.

All about The Last Days of Archie Maxwell (13+) by Annabel Pitcher is a super readable YA novella – Dads leave home all the time. It’s not that unusual, really. Leon’s dad walked out. So did Mo’s. But Archie’s? Well, that’s a different story – a story that Archie must keep secret at all cost. Archie knows he should accept Dad for who he is, so he hides his turmoil until he can stand it no longer. With nowhere else to turn, he finds himself at the railway track. The track has been calling to him, promising escape, release. The only problem is, it’s been calling to someone else too…

To read an extract ahead of publication on 1st November, click here.

Why We Published Hats of Faith

September 12th, 2017

Medeia Cohan

I am not a children’s book author. Well I am now, but I mean, I wasn’t and it’s still not my full time vocation. I set out to find this book to buy for my son to teach him about faith-based head coverings. We regularly encountered people wearing all kinds of different head coverings where we lived in Tooting in South London and I was increasingly aware that I didn’t know what most of them were called or what they represented and I wanted to have good answers when he started asking me about them.

I just wanted to buy a book and do my duty as a parent to educate my son about diversity early on. I did some research and found that the book I wanted didn’t exist. I remember thinking how odd it was that no one had already written this book. It seemed so relevant and so important that we educate your young people about head coverings and who wore them and why, so they could make their own, hopefully better, choices.

I remember mentioning the idea to a friend who went on to tell me a story about her daughter seeing a woman in a full grey burqa at the shops and calling her a ghost. My friend talked about her daughter not knowing any better, having never seen a burqa before and her own embarrassment. And then she said if she’d had a book like the one I was dreaming up, then she’d have had a relevant reference point. That stuck with me.

Not long after speaking to my friend, I was having a conversation with another mother and she told me a similar tale about her little one who had an appointment with a hijab wearing doctor and it not going well.

Around the time of Brexit and just before Trump took office, with a notable increase of hate crimes and intolerance around the world, the idea to create this book really started to gain momentum.

 

 

 


Medeia and Hajera

Medeia and Hajera



 

 

I began feeling like I had a responsibility to do whatever I could to counter the growing intolerance and fear around me. I believe that many small acts of kindness can add up to a powerful movement and can create much needed positive change and this belief felt more relevant than ever.

My good friend and now publisher, Hajera Memon encouraged me to shut up and get on with it, which at the time didn’t seem that difficult, after all board books don’t have that many words, right? Little did I know how hard writing a few, very accurate words on such a delicate subject could be!

Simultaneously we began hunting for the perfect artist and got to grips with the shear enormity of the research. We wanted to be absolutely positive that we’d done our homework and that we could say without a shadow of a doubt, that we were offering parents and educators accurate information. We consulted with everyone from religious experts, faith leaders, professors of theology, curators at major museums and faith followers themselves. It was a long process.

 


Hats of Faith

 

 

We also wanted to create a truly mainstream book. Something attractive and fact based rather than religious. Sarah Walsh the illustrator is a true wizard and an incredibly patient person. She worked with us to get the skin tones and expressions just right, and lets be honest; there is not book without them. She was able to capture warmth and beauty on each page.

Sarah was a joy to work with. She became as passionate about this book as Hajera and I were. Working with a team of bright, talented women from different faith backgrounds was not intentional, but it was helpful to inform the book and to keep us all going when the hours were long and imperfect. I’m thrilled with the outcome.

The aim is for Hats of Faith is that it plays a part in helping young people to learn acceptance and to become fearless and knowledgeable about the people beneath the head coverings. I’d love to see the book in libraries and classrooms around the globe and for children everywhere to be versed in the terminology. It’s a big goal, but we hope to inspire kinder future generations.

Visit: lovereading4kids.co.uk/book/14517/Hats-of-Faith-by-Medeia-Cohan-Petrolino.html

Join Lovereading4kids reviewer as he ‘Reads around the World’

July 11th, 2017

My name is Toby, and I am 9 years old. I have written letters to every country in the world – you can read about that adventure at my other website, Writing to the World.

Some letters are published in a book called “Dear World, How Are You?“. In order to learn more about the
countries I am writing to, I am reading books, and I am reviewing them here.

I also reviewed books for LoveReading4Kids, and those reviews are on here, too. I am trying to find one book set in each country, or by an author from that country.

My Mum is doing the same for grown-up books, and I am reviewing mine, and she is reviewing hers. So whether you are a child or a grown-up, you can explore the world with us 🙂

Find out more at fantastic books and where to find them

Hot off the press! – You’ll notice a new addition to LoveReading4Kids…

June 19th, 2017

The KRiB – The Kids Review & Interview Bookclub – an online world of exciting book related shows presented by a flurry of book crazy kids, featuring viewer reviews, competitions, kid’s culture broadcasts, celeb author interviews and an exciting genre based book search library.


The KRiB celebrates authors, publishers, booksellers, libraries and
young readers, spreading the word about the coolest books everyone
should be reading!

The KRiB TV aims to raise literacy levels and to give all kids, whether they love reading or not, an entertaining platform that unites them, builds their confidence and inspires them to see the connection between books and their own lives.

A tour of The KRiB’s pages, will take the viewer from the entertaining ‘KRiB TV’ page, where you can watch video reviews of new releases, to insightful ‘Conscious Kids’ location broadcasts exploring the messages authors give us about modern life, to the educational
‘KRiB Skool’ which offers exciting presenting and acting courses, to
the motivational ‘Vlogs’ page where you can audition to become a KRiB
TV presenter and interview your favourite authors!

So we invite everyone to visit thekrib.tv


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