Archive for October, 2017

Win a family ticket to see The Gruffalo’s Child Live on stage in the West End plus a copy of The Gruffalo and Friends Annual 2018

Monday, October 30th, 2017

Following hot on the heels of The Gruffalo’s monstrous success comes The Gruffalo’s Child – with attitude! Just how brave is she? Find out for yourselves by joining her in the West End this Christmas!

The Gruffalo said that no gruffalo should ever set foot in the deep dark wood. . .

One wild and windy night the Gruffalo’s child ignores her father’s warning and tiptoes out into the snow. After all, the Big Bad Mouse doesn’t really exist… does he?

Tall Stories returns, bringing Julia Donaldson and Axel Scheffler’s award-winning sequel to life in this magical, musical adaptation.

**** “Fun, daft and a little scary!” Time Out

The Gruffalo’s Child Live is playing at the Lyric Theatre Shaftesbury Avenue from 22 November to 7 January.

For more information and to book your tickets (from £15), visit gruffaloschildlive.com

Running time: 55 minutes (no interval). Recommended for ages 3+.

Terms and conditions: One winner will receive a family ticket (four tickets, minimum one adult) to see The Gruffalo’s Child Live at the Lyric Theatre valid until 16 December, excludes 12pm weekend performances plus a copy of The Gruffalo and Friends Annual 2018. Subject to availability. No cash alternative. Travel and accommodation not included. The Gruffalo’s Child © Julia Donaldson and Axel Scheffler 2004 – Macmillan Children’s Books.

To enter the competition to win the family ticket to The Gruffalo’s Child Live on stage in the West End plus a copy of The Gruffalo and Friends Annual 2018, click here.

Entries close on 20th November 2017 and winners will be notified soon after.

An exclusive Q&A with Annabel Pitcher

Thursday, October 19th, 2017

The Last Days of Archie Maxwe​ll: Annabel Pitcher published by Barrington Stoke

Could you introduce The Last Days of Archie Maxwell to us in less than ten words?
A boy, a girl, a secret, a suicide.

What drew you to writing for young adults in particular?
It was never a choice. It was something subconscious; some inner, unknowable desire to pick up a pen and start creating stories about, and for, young people. I am simply not drawn to writing for adults. It has never been an ambition of mine, but since my early twenties, I have felt utterly compelled to write for children and young adults. I can’t really describe it. I don’t do it out of duty, or some lofty desire to make sense of my own childhood, or to reach out to children who might be struggling. I do it because I am meant to do it, and because it fascinates me, and moves me deeply.

What did you begin with; the characters or the sense of the driving force of the story?
This is so tricky to answer. It is different for every book, and it is hard to put into words that first, mystical flicker of inspiration. With Archie, it was a number of things. The location was important. I walk my dog by a train track, crossing it several times, always surprised and a bit unnerved by how easy it would be to not get off the track when the signal turned from red to green. The rumble of the trains accompanied my thoughts for many long hours, and slowly, the vague outline of a story about a boy who lives by a track and is tempted to do the unthinkable started to emerge. I had also, somewhere, had an idea for a book that began with a boy and a girl going to a bridge to commit suicide on the very same morning. What would they do? What would they say? Would they still feel a duty to save each other, even if they were about to die themselves? Some of these questions found their answers in The Last Days of Archie Maxwell. One thing I can say for sure is that I am not a plotter. I don’t like to have a hard and fast plan when I write. I rely much more on feel and instinct, and allow the characters to drive the story as much as possible.

Is this the first novella length story that you’ve written?
It is, and I absolutely loved the experience. It was wonderful to get the chance to focus on something smaller, where each word, and the position of each word, has a huge part to play. It felt a little like writing poetry at times.

  • Why did you decide to write for Barrington Stoke?

I used to be an English teacher, so I have seen first-hand how daunting reading can be for many students. If words are frightening, picking up a book crammed full of them is a huge ordeal. But stories are for everyone. And everyone, no matter what their reading ability, has the right to access good stories, and hard-hitting stories, which aren’t dumbed down in anyway. That’s what Barrington Stoke represent and I was honoured to be asked to write for them.

What is your writing day like?
Unfortunately there is no such thing! I am a mum of two boys (3 and 1) so my life is happily chaotic at present. I squeeze my writing in wherever I can, so I find myself writing at 4am, or midnight, or during nap times, or at the weekend when my husband takes our sons swimming. It is a tough juggling act, sometimes, but I wouldn’t have it any other way.

All about The Last Days of Archie Maxwell (13+) by Annabel Pitcher is a super readable YA novella – Dads leave home all the time. It’s not that unusual, really. Leon’s dad walked out. So did Mo’s. But Archie’s? Well, that’s a different story – a story that Archie must keep secret at all cost. Archie knows he should accept Dad for who he is, so he hides his turmoil until he can stand it no longer. With nowhere else to turn, he finds himself at the railway track. The track has been calling to him, promising escape, release. The only problem is, it’s been calling to someone else too…

To read an extract ahead of publication on 1st November, click here.


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