Archive for the ‘Author Talk’ Category

A chat with Guy Bass, bestselling children’s author

Tuesday, March 27th, 2018

1. Can you describe Noah Scape Can’t Stop Repeating Himself in 5 words?

When Noah doubles there’s trouble.
When Noah doubles there’s trouble.
When Noah doubles there’s trouble.
When Noah doubles there’s trouble.
When Noah doubles there’s trouble.

2. What was the inspiration for writing the book?

The name was the starting point. I wanted to write a “be careful what you wish for” story, with Noah deliberately deciding to start doubling but it soon spirals out of control to become a situation he can’t escape. There is something appealing about the idea of there being one more of you, or four of you, or eight, or a hundred … but when everyone’s the same, it’s a sadder world. At the beginning of the story, Noah’s so set in his ways that he rejects other people’s ideas and opinions but the more he duplicates, the more he realises that difference makes life interesting. Difference and dinosaurs.

3. You could say that Noah is a bit of a difficult student… What were you like at school? Were you as demanding as Noah?

I wish I had been – demanding, not difficult. I was really quiet at school. So quiet that I’m pretty sure I could have turned invisible and I pretty sure no one would have noticed. Which is just one of the two hundred super powers I wished I’d had as a child. I spent every school assembly daydreaming about floating into the air and out of the window. My memory’s hazy but i’m almost convinced it never actually happened.

4. We love Steve’s artwork and he’s said he just might have broken the record for drawing the same character again and again and again! What version of Noah is your favourite?

It’s an impressive record! My favourite’s one of the (many) Noahs on page 51. He’s far off in the background, holding a balloon and looking strangely sinister. Thanks to horror films it’s now impossible to hold a balloon and not look evil.

5. Noah loves nothing more than talking about dinosaurs and eating spaghetti with tomato sauce. What two things do you wish everyone loved as much as you do?

Comic books and cheese fondue.

6. Finally, we’d love to see the spot where all your characters come to life. Can you show us a picture of where you write?

I should point out that my main problem with writing books is the isolation. As you can see, I found a solution – you’re never alone with a thousand lifeless painted eyes staring down at you. Oddly, the toys on my shelves seem to have doubled recently. Maybe that’s where the real inspiration for Noah Scape came from.

Noah Scape: Can’t Stop Repeating Himself by Guy Bass and illustrated by Steve May is published by Barrington Stoke, the leading publisher of books for struggling and reluctant readers including dyslexia friendly books.

Noah Scape loves dinosaurs and spaghetti with tomato sauce. But Noah doesn’t always get what he wants and when school doesn’t revolve around dinosaur facts and lunch isn’t always his tried and tested favourite, well… enough is enough! It’s time for him to stop wishing and to decide on exactly what he needs; a world full of Noahs!  But, getting what you want isn’t always what you need in this laugh-out- loud comedy from one of the fastest-rising stars of the children’s book world Guy Bass.

Noah Scape: Can’t Stop Repeating Himself  is particularly suitable for struggling, reluctant or dyslexic readers aged 8+.

 

A Q&A with the author Bea Davenport on her latest novel The Misper

Friday, February 16th, 2018

Bea’s first novel The Serpent House was written during her Creative Writing PhD at Newcastle University. Her tutors were Jackie Kay, the award-winning poet and writer, and Professor Kim Reynolds, an internationally-renowned expert in children’s literature.

In its early, unpublished form, The Serpent House was shortlisted for The Times/Chicken House award.

The Misper was longlisted in a Mslexia Writing for Children competition and is published by The Conrad Press.
Bea has also written two crime novels for adults, In Too Deep and This Little Piggy, and teaches journalism and creative writing.

She lives near Berwick-upon-Tweed in Northumberland with her partner and children.

Describe The Misper in one sentence?
Anna and Zoe turn to magic to try to shake off their geeky friend Kerry – but they should’ve been careful what they wished for.

Who’s your favourite character in the novel?
Anna’s the nicest of the three. But I have a massive soft spot for troublesome Zoe. She’s so bright and so prickly.

Shakespeare or Dickens?
Both, of course! But if I have to choose, George Eliot.

Favourite author?
I can never answer this as I don’t have a single favourite. I have a huge long list and it changes from week to week. At the moment Neil Gaiman is very near the top of the list but it’s very often the last author I read.

Favourite character from a book?
I’ve always had a soft spot for Pippi Longstocking. I like a free spirit!

Prefer books or the film adaptations?
Always, always books! It’s not that there aren’t some fantastic film adaptations, as there are, but if I was on a desert island I’d rather it had a library than a cinema.

If you weren’t an author, you would be…
I was a journalist for many years and that was a fun job. And I’ve always liked the idea of playing a baddie character in a TV soap.

Favourite place/setting to read a book?
On holiday, anywhere in the sun. That way I don’t get the niggling feeling I should be working instead of reading.

What inspired you to write your book?
A couple of things: When I was very little, I remember the excitement of organising a Halloween party and that was the starting point for the story – but then it got darker and darker, so it needed to be for older readers than I first intended. But also, I’ve seen what it is like to feel on the outside edge of a friendship group and I also know what it’s like when someone tags onto you that you don’t really want around. So I wanted to explore friendship dynamics.

If you had a dinner party what three authors or characters from literature would you invite?
First would be Edith Nesbit, author of the first ever historical time fantasy for children (The Story of the Amulet). I’d love to ask her about the genre she started and the way it’s so popular today. I’d invite Dorothy Parker to make everyone laugh. Finally I’d invite Mary Poppins, so that she could magic us up a feast and clear it up at the end with a click of her fingers.

When did you start writing?
Like most writers, I scribbled stories from the age of about eight or nine. They were just bad versions of Enid Blyton’s adventure tales. I carried on writing while working as a journalist, but I only had the courage to show anyone my writing a few years ago.

How long does it take to write a book?
It depends on the book and a lot of other factors. My first crime novel for adults took a few years, because I only got the chance to write now and again while working and having young children. The second adult novel only took a few months! The Misper took about a year to write the first draft but it’s been through a zillion changes, so all in all, I guess it took three or four years.

Where do you get your ideas from?
Everywhere! I’m a typical journalist – I love listening to what people say and to what they don’t say, and I’m always on the spy for story ideas. There’s hardly a day goes by when I don’t find myself thinking, ‘Oooh! There’s a good story idea…’

Do you base your characters on people you know?
Not deliberately! But I think all writers use little bits of people they’ve met and weave them together to make a composite character. My partner spotted the character of Tom in The Serpent House doing something that he regularly does. Fortunately he didn’t mind me pinching his actions to use in the book!

To read an extract and to see what the Lovereading.co.uk editorial expert thought click here.

Paul Jennings on the inspiration behind his novella A Different Dog

Monday, January 22nd, 2018

I have had a number of different occupations over the last fifty years: a special school teacher, a speech pathologist, a lecturer in reading education and an author. A Different Dog draws on many experiences in these fields.  And of course, it also draws on my own childhood.

If you ask me, ‘Where did the story come from?’ that’s another thing altogether. I will have to say that I don’t know. It was a matter of putting my hand into the lucky dip of my own mind. There are many presents in that barrel and they are all wrapped so you don’t know what you are going to get.

One of the influences on a writer would have to be the books that he or she has read themselves. An author cannot copy another’s work and each writer must find their own voice. But somewhere in the back of our minds are tucked the stories we have enjoyed in the past.

Of the books that I loved when I was aged between thirteen and fifteen I can think of three which I turn back to and read again and again. They are still readily available more than fifty years later. Teenagers and adults love these stories. I still have my old copies and like to look at their torn and worn covers which beckon me from years gone by. Here they are:

The Adventures of Huckleberry Finn by Mark Twain. A boy and a runaway slave on the Mississippi River. How I wished I was on that raft. And little did I know that I would still be amazed by their wonderful adventures all these years later.

The Snow Goose by Paul Gallico. A girl, a bird and disabled man feature in this moving story. When you finish it you just know that there is an untold truth hinted at within the main story and it makes you think for weeks after you have read it.

The Old Man And The Sea by Ernest Hemingway. This is a lovely story about a boy, an old man and a fish. Exciting, sometimes sad but always making you ask yourself, ‘Could I ever do that?’

I don’t know if these authors influenced me when I wrote, A Different Dog but if you read any of them you might like to give it some thought.

I can tell you how I think A Different Dog came into being. When I was eight years old, I had to bury a dead dog. This unpleasant memory was the starting point for my new book. I began writing about how I felt while I was digging the grave for the poor animal. But as the story developed I dropped this bit out altogether and came up with a dog named Chase that was alive but very strange indeed.

As the wrapping paper came off, something else revealed itself and the story changed completely. It was not about death any more but had ended up being about …

Well, what do you think?

 

Paul Jennings, 2017

A Different Dog by Paul Jennings is published by Old Barn Books and available from 1st February 2018

To hear more from the author click on the following link:

https://www.sbs.com.au/ondemand/video/936116803988/paul-jennings

Courtesy & © SBS TV

Sita Brahmachari on her latest novel Zebra Crossing Soul Song

Thursday, January 18th, 2018

Could you describe Zebra Crossing Soul Song to us in five words? 

Life-lessons

Music

Memory

Friendship

Crossings

 

What inspired you to write this book

Fifteen years ago, when my son was four years old, a zebra crossing man saved his life. I wrote this in my notebook:
‘Zebra Crossing Story’
A story about a Zebra Crossing man who saves a boy’s life. The crossing as a place of learning, growing, philosophy, psychology music, river, life….
In the story that has emerged all these years later, 18 year old Lenny looks back at his growing up through memories on the crossing from nursery to sixth form.

 

Music features quite heavily throughout Lenny’s story. Can you tell us a little about how you used music in the book and why it’s so important to the story? 

The story is written in music memory tracks. I love the way music prompts memories, so I chose some tracks that prompted strong memories for me and from listening to the songs I thought about my characters and how they might connect to them. My imagination started roaming and the voice of Otis the Zebra Crossing Man came to me.
My son has written songs from an early age, so I thought why not make a Zebra Crossing man who was an ex-musician and for some reason has stopped performing…. A song man who shares his favourite tracks with a young singer-songwriter as he crosses the road.  Music, and the freedom to explore it, is a vital part of Lenny’s journey through life. It’s a massive part of his education and growing up – as the creative arts are for so many young people. It’s playful and fun and I really loved playing with the form of voices in song… It is the ‘food of love’ after all!

 

You’ve described Otis as one of your quiet angels like Grace in Worry Angels, can you tell us a little more about this idea?

If Otis wrote a CV his working life wouldn’t look that high flying or ambitious. You could say the same for Netti in Brace Mouth, False Teeth (who’s a carer for the elderly) and Grace (who helps children with emotional difficulties in an out of school centre in Worry Angels). The work all these characters do are not obviously glamorous. Netti in Brace Mouth, False Teeth calls these roles ‘Heart Work.’ Heart work is work that may not earn you much money and is often (wrongly) undervalued in this society, but it is work you find deeply fulfilling.  A Zebra Crossing person is one such angel. In my case, someone doing this job saved my child’s life. They were literally his guardian angel. No one made a big deal about it at the time. No one made him into a hero. He was just doing his job in a quiet unassuming way. Otis may not seem that ‘quiet’ a character when you first start reading his voice but you will discover that many deep currents flow under the crossings that take place on the road, and the fact that he returns every day to help children to safety makes him into one of my ‘quiet angels’.  A quiet angel doesn’t have to do something big like save a life. He or she is often someone who can change your day with a small act of kindness, a word of encouragement, taking time to have a cup of tea with you, make a worry angel or teach you a song, as Otis does to put a spring in Lenny’s step as he struggles through school.

 

What one piece of advice would you give to someone, like Lenny, who wants to start writing?

Otis gives the best song writing advice and it is advice that works well for writing in general!

Listen up now,man,if you waan be a

Musi-shan

Tek a lyric down

Catch dem word dat hinspire

Listen deep inside de music

See what plays thru ya

See what plays true to ya

To write you’ve got to be taken by a story yourself and give it enough attention and freedom to discover why you care about it enough to tell it.

 

Finally, a huge congratulations on your recent IBBY honour. Your books have been recognised by Amnesty International in a similar way. What does this sort of recognition mean to you?

Thank you so much.  When writing I think a great deal about how young people are experiencing growing up today. I write stories about characters who, like Lenny in Zebra Crossing Soul Song, are beginning to explore how the world impacts on them and how they will impact on the world. Many of my characters are setting out in life facing some massive challenges and inequalities. Both Amnesty and IBBY are International organisations with human rights and equality at their heart. I write stories with a diverse cast of characters with roots that spread far and wide across the globe and my work with refugee people alongside Jane Ray is a constant reminder of the preciousness of our freedom of speech to tell stories. For these reasons the endorsement of my books by IBBY and Amnesty (International organisations focused on a global, humane family) means a great deal to me.

On another note… people assume that the more books you write the more confident you grow. That is not necessarily the writer’s logic. So these affirmations do give a confidence that the stories I’m writing are finding passionate readers.

 

Zebra Crossing Soul Song by Sita Brahmachari published by Barrington Stoke is a tender tale of memory and overcoming loss. Lenny has spent most of his life at the zebra crossing, and for many of those years Otis, the singing `zebra man’ has helped him on his way. But when Otis’ sad past comes back to haunt him, Lenny is forced to face his crossroads alone. Only by examining the memories of their friendship can Lenny discover the truth. It will be loved by all who read it but it is also suitable for struggling, reluctant or dyslexic readers aged 13+. 

An exclusive Q&A with Annabel Pitcher

Thursday, October 19th, 2017

The Last Days of Archie Maxwe​ll: Annabel Pitcher published by Barrington Stoke

Could you introduce The Last Days of Archie Maxwell to us in less than ten words?
A boy, a girl, a secret, a suicide.

What drew you to writing for young adults in particular?
It was never a choice. It was something subconscious; some inner, unknowable desire to pick up a pen and start creating stories about, and for, young people. I am simply not drawn to writing for adults. It has never been an ambition of mine, but since my early twenties, I have felt utterly compelled to write for children and young adults. I can’t really describe it. I don’t do it out of duty, or some lofty desire to make sense of my own childhood, or to reach out to children who might be struggling. I do it because I am meant to do it, and because it fascinates me, and moves me deeply.

What did you begin with; the characters or the sense of the driving force of the story?
This is so tricky to answer. It is different for every book, and it is hard to put into words that first, mystical flicker of inspiration. With Archie, it was a number of things. The location was important. I walk my dog by a train track, crossing it several times, always surprised and a bit unnerved by how easy it would be to not get off the track when the signal turned from red to green. The rumble of the trains accompanied my thoughts for many long hours, and slowly, the vague outline of a story about a boy who lives by a track and is tempted to do the unthinkable started to emerge. I had also, somewhere, had an idea for a book that began with a boy and a girl going to a bridge to commit suicide on the very same morning. What would they do? What would they say? Would they still feel a duty to save each other, even if they were about to die themselves? Some of these questions found their answers in The Last Days of Archie Maxwell. One thing I can say for sure is that I am not a plotter. I don’t like to have a hard and fast plan when I write. I rely much more on feel and instinct, and allow the characters to drive the story as much as possible.

Is this the first novella length story that you’ve written?
It is, and I absolutely loved the experience. It was wonderful to get the chance to focus on something smaller, where each word, and the position of each word, has a huge part to play. It felt a little like writing poetry at times.

  • Why did you decide to write for Barrington Stoke?

I used to be an English teacher, so I have seen first-hand how daunting reading can be for many students. If words are frightening, picking up a book crammed full of them is a huge ordeal. But stories are for everyone. And everyone, no matter what their reading ability, has the right to access good stories, and hard-hitting stories, which aren’t dumbed down in anyway. That’s what Barrington Stoke represent and I was honoured to be asked to write for them.

What is your writing day like?
Unfortunately there is no such thing! I am a mum of two boys (3 and 1) so my life is happily chaotic at present. I squeeze my writing in wherever I can, so I find myself writing at 4am, or midnight, or during nap times, or at the weekend when my husband takes our sons swimming. It is a tough juggling act, sometimes, but I wouldn’t have it any other way.

All about The Last Days of Archie Maxwell (13+) by Annabel Pitcher is a super readable YA novella – Dads leave home all the time. It’s not that unusual, really. Leon’s dad walked out. So did Mo’s. But Archie’s? Well, that’s a different story – a story that Archie must keep secret at all cost. Archie knows he should accept Dad for who he is, so he hides his turmoil until he can stand it no longer. With nowhere else to turn, he finds himself at the railway track. The track has been calling to him, promising escape, release. The only problem is, it’s been calling to someone else too…

To read an extract ahead of publication on 1st November, click here.

Why We Published Hats of Faith

Tuesday, September 12th, 2017

Medeia Cohan

I am not a children’s book author. Well I am now, but I mean, I wasn’t and it’s still not my full time vocation. I set out to find this book to buy for my son to teach him about faith-based head coverings. We regularly encountered people wearing all kinds of different head coverings where we lived in Tooting in South London and I was increasingly aware that I didn’t know what most of them were called or what they represented and I wanted to have good answers when he started asking me about them.

I just wanted to buy a book and do my duty as a parent to educate my son about diversity early on. I did some research and found that the book I wanted didn’t exist. I remember thinking how odd it was that no one had already written this book. It seemed so relevant and so important that we educate your young people about head coverings and who wore them and why, so they could make their own, hopefully better, choices.

I remember mentioning the idea to a friend who went on to tell me a story about her daughter seeing a woman in a full grey burqa at the shops and calling her a ghost. My friend talked about her daughter not knowing any better, having never seen a burqa before and her own embarrassment. And then she said if she’d had a book like the one I was dreaming up, then she’d have had a relevant reference point. That stuck with me.

Not long after speaking to my friend, I was having a conversation with another mother and she told me a similar tale about her little one who had an appointment with a hijab wearing doctor and it not going well.

Around the time of Brexit and just before Trump took office, with a notable increase of hate crimes and intolerance around the world, the idea to create this book really started to gain momentum.

 

 

 


Medeia and Hajera

Medeia and Hajera



 

 

I began feeling like I had a responsibility to do whatever I could to counter the growing intolerance and fear around me. I believe that many small acts of kindness can add up to a powerful movement and can create much needed positive change and this belief felt more relevant than ever.

My good friend and now publisher, Hajera Memon encouraged me to shut up and get on with it, which at the time didn’t seem that difficult, after all board books don’t have that many words, right? Little did I know how hard writing a few, very accurate words on such a delicate subject could be!

Simultaneously we began hunting for the perfect artist and got to grips with the shear enormity of the research. We wanted to be absolutely positive that we’d done our homework and that we could say without a shadow of a doubt, that we were offering parents and educators accurate information. We consulted with everyone from religious experts, faith leaders, professors of theology, curators at major museums and faith followers themselves. It was a long process.

 


Hats of Faith

 

 

We also wanted to create a truly mainstream book. Something attractive and fact based rather than religious. Sarah Walsh the illustrator is a true wizard and an incredibly patient person. She worked with us to get the skin tones and expressions just right, and lets be honest; there is not book without them. She was able to capture warmth and beauty on each page.

Sarah was a joy to work with. She became as passionate about this book as Hajera and I were. Working with a team of bright, talented women from different faith backgrounds was not intentional, but it was helpful to inform the book and to keep us all going when the hours were long and imperfect. I’m thrilled with the outcome.

The aim is for Hats of Faith is that it plays a part in helping young people to learn acceptance and to become fearless and knowledgeable about the people beneath the head coverings. I’d love to see the book in libraries and classrooms around the globe and for children everywhere to be versed in the terminology. It’s a big goal, but we hope to inspire kinder future generations.

Visit: lovereading4kids.co.uk/book/14517/Hats-of-Faith-by-Medeia-Cohan-Petrolino.html

Lovereading4kids Q & A with Andy Griffiths

Wednesday, January 18th, 2017

Andy Griffiths

Andy Griffiths is the author of the hilarious, incredibly popular and seemingly unstoppable large Treehouse books. We tracked him down to ask him a few questions. Find out more below.

 

What were you like at school?
I really enjoyed school—had a lot of fun with my friends and my teachers often commented that I had a good sense of humour. When I was in Grade 4 I found an old typewriter at a junk shop and taught myself to touch type. I wrote and printed a magazine which I used to sell to the kids in my year level.

 

Were you good at English?
Yes, I loved reading and had a natural interest in language—particularly playing around with words and ideas for comic effect.

 

Which writer inspires you the most?
Well, I’ve always loved Lewis Carroll and his Wonderland/Looking Glass books. The combination of philosophy, wordplay and sheer nonsense has always amused, excited and inspired me.

 

So, tell us a little about the Treehouse series and what inspired you to create it?
I’ve been lucky enough to work with Terry, the illustrator, for twenty years now and together we love entertaining each other and seeing just how far we can push our humour. The treehouse series grew out of this process of constant experimentation and play. And, I guess, my love of Enid Blyton’s ‘Faraway Tree’ books were probably responsible for the idea of a magical tree filled with unpredictable things and people.

 

Give us an insight into the latest book in the series, ‘The 78-Storey Treehouse’? 
It’s all about a Hollywood director coming to the treehouse and attempting to make a blockbuster movie. Needless to say it all goes horribly wrong in an horribly entertaining way. Oh, and there’s spy cows. A spy cow on every page in fact.

 

How do you and Illustrator Terry Denton make the words and illustrations come together so perfectly? 
It starts by me throwing Terry a few ideas and then him responding by drawing some pictures of those ideas which helps me to develop the ideas further and then his drawings become more detailed and include elements I hadn’t considered so I have to change and develop the story accordingly and so on and so on. The process takes a whole year for each book and Jill, my wife, editor and co-writer is there helping us to sort it out at every step of the way.

 

What made you want to choose this theme for the story?
Everybody is always asking us if the treehouse books are going to become a movie but, given the dreamlike structure of the treehouse and everything that happens there, we’re not so sure it would be even possible to make a movie and we’re not in any hurry. Our ambivalence about the treehouse series and movies is reflected in the plot.

 

What are you working on at the minute?
The 91-Storey Treehouse: Andy and Terry have to babysit Mr and Mrs Big Nose’s grandchildren. What could possibly go wrong (apart from everything?!)

 

How much research do you do?
I am constantly reading books, watching movies and keeping my eyes open for potential levels and story ideas.

 

Do you write full-time or part-time?
Full time.

 

Do you have a special time to write or how is your day structured?
I like to begin each day with an hour of reading, an hour of exercise and then a good breakfast. I generally aim for around 5-6 hours of writing most days, with the evenings free to just mess around and read some more.

 

Do you aim for a set amount of words/pages per day?
No, sometimes it comes fast and other times painstakingly slow. I generally know whether I’m on track to deliver the manuscript on time, and if not, I need to work harder until I’m back on schedule.

 

Where do your ideas come from?
Absolutely everywhere. But reading extensively is one of the best ways to encounter a never-ending kaleidoscope of ideas.

 

What is the hardest thing about writing?
Rewriting it for as many times as it takes until it’s as clear and as funny as possible. The rewriting process never stops and occasionally it can become quite exhausting. But it’s one of the most important parts of the process.

 

What is the easiest thing about writing?
Sitting around pitching silly ideas to Terry and Jill. Occasionally one of the ideas is so outlandish that it sparks a whole new level, character or plot.

 

Do you read much and if so who are your favourite authors?
I read a wide variety of both fiction and non-fiction for at least two hours every day. My all time favourite authors are Lewis Carroll, Dr Seuss, Enid Blyton, Franz Kafka and JD Salinger.

 

What book/s are you reading at present?
I’m reading ‘As I lay Dying’ by William Faulkner and revisiting some of the short stories of the southern gothic writer, Flannery O Connor.

 

What is your favourite book and why?
As per question 3: Well, I’ve always loved Lewis Carroll and his Wonderland/Looking Glass books. The combination of philosophy, wordplay and sheer nonsense has always amused, excited and inspired me.

 

Do you have a favourite genre?
Comedy!

 

What is your favourite quote?
‘A man’s got to know his limitations’ – Clint Eastwood in one of his ‘Dirty Harry’ movies.

 

What is your favourite film and why?
Pee-Wee’s Big Adventure. A fantasy wonderland of complete nonsense starring one of the funniest comedic characters ever created.

 

Where can you see yourself in 5 years time?
At this rate—adding 13 storeys to our treehouse each year—I’ll probably be working on the 156 Storey Treehouse.

 

What advice would you give to your younger self?
Stay away from man-eating sharks.

 

Do you have a favourite positive saying?
When the chips are down, go eat some chips (Read the 78-Storey Treehouse and you’ll understand.)

 

Which famous person, living or dead would you like to meet and why?
Actually, I met a lot of famous dead people when I went time travelling in the wheelie bin with Terry in the 65-Storey Treehouse.

 

If you could have been the original author of any book, what would it have been and why?
Alice’s Adventures in Wonderland. Because it’s perfect.

 

What advice would you give to aspiring writers?
Research the type of books you love reading and direct your efforts towards learning how to writer your own versions. That way you’ll be gaining a huge amount of enjoyment and satisfaction. whether they get published or not,

 

Where do you see publishing going in the future?
Nowhere. Books still offer a particularly personal pleasure for the reader that movies and computer games—whatever their other merits—just can’t match.

 

How can readers discover more about you and you work?
Reading the books is the best way. And if that’s not enough you can visit www.andygriffiths.com.au

Q&A with Alison Goodman Author of The Lady Helen series for YA readers

Monday, January 16th, 2017

Humaira Kauser – Lovereading4kids Reader Review Panel Member recently interviewed Alison Goodman.

I had the opportunity to ask a few questions to the author herself but due to being in the midst of writing book three I was limited to asking five questions. I hope you like the questions I have chosen and enjoy the answers that Alison Goodman replied with! It was great fun thinking of and asking these questions so enjoy!

 

1. Who would be your dream cast if ever your book was adapted to a film?
I love making up dream casts! Let’s see now…first pick for Lady Helen would be Daisy Ridley, from Star Wars  She has a great face – strong, angular and fiercely intelligent — and the  athleticism that Lady Helen needs.  For Lord Carlston, I would cast Aidan Turner from Poldark: dark,  brooding and so, so handsome. He also looks great in period costume. When I first imagined the Duke of Selburn, I thought of Laurence Fox (D.I. Hathaway in Lewis) – he has so much charisma and is a brilliant actor. A friend of mine also suggested Tom Hiddleston, and let’s face it, you can’t go past a bit of Tom and he would make a superb Duke. I think Nell Hudson from Outlander would be a great Darby, and Dwayne Johnson would be a truly magnificent Quinn, although his star quality might be rather overpowering in a supporting  role. Mr Hammond would be beautifully portrayed by Nicholas Hoult and Emilia Clarke  would be an awesome Lady Margaret.

2. Is there any particular reasoning or meaning behind names?
For me, the ‘music’  of a name  is very important – I listen to the  number of syllables and how they run together. I also prefer strong endings such as the hard n in Helen and Carlston because, for me,  it  gives a sense of strength and boldness to the name. I  also try to marry the name to the personality of the  character  e.g. I think of  Hammond as a  straightforward, reliable kind of name, which is how I think of Michael Hammond in the books.  In terms of finding names, I collect them from all over the place — street names that I pass, people I meet (I’ve discovered some great names in the signing lines for my books!), and most productively, the end credits of movies

3.What do you like most about the Regency setting?
I like the veneer of civility over raw human emotions, the elegant and opulent surroundings, the fashion,  the dancing, and how meeting the eyes of someone or the fleeting touch of their hand can take on enormous meaning. As a writer of historical fiction, I also love  how the Regency is like a mirror for today’s society- excessive consumerism, huge divide between rich and poor, and a lot of civil unrest.

4. Aside from being in a modern Dark Days Club, what would Lady Helen be doing now in today’s world?
I think Helen would be studying Chemical Engineering at Oxford University and fencing on the University team!


5. Which of the new characters are your favourite and why?

I think my favourite new character is Sprat, a twelve year old girl living  in a bawdy-house. She is sly and funny and a bit of a hustler –so  much fun to write!
I also really like Martha Gunn, who was a real dipper at Brighton Beach during the Regency. A dipper’s job was to hold on to a lady who could not swim, and literally dip  her into  the sea and out again, rather like a tea bag, so that the lady could  “take the waters” for her health. Martha Gunn was the most famous dipper in England  and was a favourite of the Prince Regent. She is in a sea-bathing scene with Lady Helen, and it is my favourite scene in the whole of The Dark Days Pact.

Meet the Illustrator – In conversation with Helen Oxenbury

Friday, October 21st, 2016

Helen Oxenbury chats to Shelley Fallows from Lovereading4kids.

I (Shelley) have a nine year old son.  Those nine years have flown by in a flash as I was warned they would and yet one of the most endearing memories I have of his younger years is reading We’re Going on a Bear Hunt by Michael Rosen and illustrated by Helen Oxenbury, over and over.  The book had been a gift from a friend who also had wonderful memories of reading it to her by then teenage children.  This is the beauty of a great picture book, quiet moments shared with you and the child in your life that become special.  So it was an absolute delight for me when I was asked to interview author and Illustrator Helen Oxenbury on behalf of Lovereading4kids to celebrate the publication of Time Now to Dream written by Timothy Knapman which is packed full of Helen’s beautiful, illustrations.

Time Now to Dream is a beautifully atmospheric story about two young children confronting their fears and supporting each other as they explore a mysterious noise in the woods close to where they live.  Timothy’s prose is perfect for sharing with young ones as it gently explores the fear of the unknown and inspired the illustrations Helen has created.  Her instantly recognisable style fits perfectly with the story.  I wanted to gain a better insight into this mother and grandmother who has made such a great contribution to children’s books – she is even the creator of the iconic bear symbol that graces all of Walker’s Books. She has been drawing since she was a child, discovering her love for it when she was forced to often stay home from school due to asthma.

Where did you take your inspiration from as a child?

I remember drawing endless bunches of flowers.  We had a lovely garden with a pond which I spent most of my time with my hands in.  I had no fear of frogs or toads.  That’s what I remember mostly of my childhood.  We often had friends over who all fell in but my brother and I never did because we grew up around it and knew not to.

What was you earliest book related memory?

You have to remember it was during the war and you couldn’t get books, you couldn’t buy your own books.  My father worked for the East Suffolk County Council and they had a library.  There was a shelf full of children’s books.  It was just awful but these were the only books I had really.  The one I can remember, that I just loved was quite a big book of photographs of Shirley Temple in different outfits, such as red wellies, a yellow raincoat and big yellow hat.  The book was in lovely, bright colour.  All the other books were just black and white.  We were quite starved of books really.  We had comics such as the Beano which was printed in black, red and white but if you had one with colour it was just wonderful.

Can you explain a little about your creative process? For example which medium do you like to work with?

time-to-dream-3It depends on the story, depends on the text.  If it is something like ‘We’re Going on a Bear Hunt’ or ‘Time Now to Dream’ that involves a rather English landscape then I’ll use watercolour.  However when I did the illustrations for ‘So Much’ which is about a West Indian family, well it just didn’t seem right in watercolour because they wear these wonderful, vibrant colours, so I used gouache.  It’s usually the text itself that will suggest to one which medium to use.

 

Do you have a specific routine you follow when working and do you tend to draw every day?

I take a flexible approach depending on what I’m working on.  I don’t always draw everyday though.  There’s not always enough time.

 

Do you usually meet the author before you begin work on the illustrations for a project?

No never. I receive just the manuscript to work from and then meet the authors once it is done.

 

Where did you take your inspiration for the illustrations in Time Now to Dream?

I took a lot of walks on Hampstead Heath but not with a notebook, but I wouldn’t do any drawing at this stage.  I would then draw the pictures from memory.

 

Your drawings are wonderfully expressive, are the children based on anyone in particular?

They are a culmination of children based on the age of those who will be reading it.  It helps the children to be able to identify with the characters.  I love to try and put over the emotions the text invokes.  We have to enhance the text but not slavishly illustrate every word.  I also like to add a little something that features throughout the book.  In ‘Time Now to Dream’ for example there is a bird who appears all the way through.  At times you are unsure what his purpose is.  Is he a little sinister or is he watching over them?  It’s another element to talk about when you’re reading the book.

 

How closely do you work with the publisher on the finished book?

I work very closely with the art director on the book itself.  For example with ‘Time Now to Dream’ I didn’t want the foliage and text etc. to be on a white background so we chose a softer colour that supported the illustrations better and provided a softer, more comforting feel to the book.  I also like to include a mix of coloured illustrations with black and white images to also enhance the visual aspect.  Walker Books are particularly good at getting it right.  There is definitely a Walker look.

 

How important do you feel illustrations are to building a child’s love of books and reading?

time-to-dream-4Terribly important and not only for the reading but looking at things, giving them a sense of colour and form.  For example when they see a wolf they’ll recognise it for what it is.  I see them also as a stepping stone to reading.  Illustrations also make a book so much more interesting.

 

How vital do you feel the role of Children’s Laureate is to Children’s literature today?

Well, it certainly can’t do any harm especially if it gets more children reading!

 

Do you have any advice for parents who want to encourage their children to read?

They’re never too young to start.  It’s amazing how much they can absorb right away.  Holding books, looking at pictures, hearing the words and of course having that precious time with mum and dad.  Always make time to read.

 

What are you reading at the moment?

Dombey and Son by Charles Dickens, it has the most wonderful illustrations!

 

Are you working on any other projects at the moment?

I am but I’m afraid I can’t say too much about them at the moment.  I still love what I do and will keep on doing it until I fall off my perch.

Make your child part of a beautifully illustrated story… the perfect Christmas Gift

Thursday, October 20th, 2016

We have come across a beautiful ‘bookie’ idea that we think is a brilliant Christmas gift, so we wanted to share it with you.

miab1It’s called Message in a Bottle and your personal message (the actual message in a bottle) including date, text and an optional picture seamlessly becomes part of the story. Educational, enchanting and full of adventure we can see it being read many many times.

With words by Tom Percival and illustrations by Tuire Siiriainen each book is digitally printed and is unique and the feedback from readers is lovely…

miab2‘Read mine to the kids today and had to stop self from crying – it really did make me very emotional! Very special book indeed.’Kelly Allen

‘Oh my goodness!! Our book just arrived!! It’s incredible!! The quality is superb. The story and illustrations… Ah. It really is amazing. To think what I’ve paid for personalised books in the past that don’t even come close. This really is something special.’Rebecca Taylor

miab3‘Message in a Bottle would make a wonderful gift for any young child.  It’s particularly special for those you don’t see quite as often as you’d like.  The online ordering process is very simple and the book was delivered quickly, it even came with a sheet of beautiful wrapping paper so I could gift wrap it myself.  This really is a lovely way for a child in your life to become part of a delightful story and receive a rather special gift from you.’ Shelley

Find out more at messageinabottlebook.co.uk. Softcover books are £19.95 and Hardcover £29.95 and to get one in time for Christmas order by 16 December.

Also we have just heard that the lovely people at Message in a Bottle have added some ‘Christmas Templates’ – find out more on their blog

miab_christmas_post_feat

 

 

 

 

 

 

 

 

 

Below is a video that explains a bit more

Find out more on their facebook page facebook.com/messageinabottlechildrensbook/

 

See below for an article on the book written by the author Tom Percival.

Words (and Pictures)

I’ve always loved stories—reading them, making them, hearing them, illustrating them… you get where I’m going with this, right? I love stories. And I’m not alone, our whole lives are built around stories. We listen to stories in songs, read them in books, share them when we talk with our friends. Even a simple question like,

‘How was your day at school today?’ is an invitation to tell a story (one that my children usually decline by just saying, ‘Yeah… good.’

We build up our personalities from the continually evolving stories that we pull from our different memories and experiences. Rolling it all up into a big ball of story dough that we can mould into whatever shape we like and then bake into, err… story bread? Story cakes? Hmm, I don’t know, I think I might have pushed the whole story-baking thing a bit too far there.  Let’s move on…

It was my love of stories that led me into the career that I now have as a children’s author and illustrator. I believe that stories have the power to communicate a truth, to help you form a better picture of the world. Although the actual events in a book of fiction are made up (you could even say a sort of lie), what they actually do is communicate a truth about the world. Truth out of lies—I like that idea. And that’s not to mention the sheer fun involved in making up characters and worlds that you can explore and introduce other people to as well.

Initially I started out illustrating other people’s stories. I spent most of my time drawing as a child, (lots of pictures of He-Man, Transformers and skeletons since you asked) and so it was drawing that I first became good at. Just as a quick note to all you aspiring writers, illustrators, musicians, footballers, astronauts, or anything else, if you want to get good at doing something, just do it a lot – you get there the end, I promise!

I was lucky enough to create the cover art for the Skulduggery Pleasant series (I knew all those skeleton pictures were a good idea!), which gave me a kick-start to my illustration career and meant that I got to illustrate books for lots of other fantastic authors.

After a couple of years of illustrating I also started writing my own stories and I’ve now had lots of picture books out, including Herman’s Letter, Jack’s Amazing Shadow and most recently, By the Light of the Moon

2016 then saw the launch of the Little Legends series of illustrated chapter books for newly independent readers. It’s been great to have a few more words to play with, and to be able to explore a world and the characters within it in a bit more detail. Not only that, 2016 also saw the arrival of an email from Tuire Siiriainen, with an invitation to collaborate on a personalized picture book that she was developing with her company Blueberry and Pie. Now, this was all very exciting because Tuire was asking me to write a story that she would be illustrating. I was so used to writing and illustrating my own work that at first I wasn’t sure how it would all pan out. When I usually write a picture book, I have in mind what will happen in the illustrations, right from the start, but that wasn’t going to be possible with this book. Any concerns I had about how the interpretation of the text would work were washed away when Tuire sent over the character designs and sample spreads she had already worked up—they were absolutely fantastic, and I knew straight away that it was going to be a great partnership.

After I’d written the story, Tuire would send through each one of her bright, fun-packed illustrations as she finished them. It was so exciting to see the book come together in that way. Ordinarily, the illustrating phase of a picture book is something of a blur for me as it’s a really intensive period of work, so it was great to be able to sit back and see it all just ‘happen’ in front of me without having to pick up a single pencil! We also had a great team working with us, helping with the design, editing and packaging of the book. It felt as though everyone realized it was a really special project to work on.

Working on a personalized book held a few new challenges for me, mainly creating a story with all the required personalization details that still felt engaging in it’s own right. In this case, the story is about the discovery of a message in a bottle that is found floating halfway around the world and is addressed to the reader. So the child’s name and address features throughout the story and then at the end, the message that was in the bottle is revealed to be whatever you chose to write to the person you are giving the book to. It’s a great way of personalizing a book and will make all young readers excited to feature so prominently in a book.

My most important contribution to the project was the creation of Kiki, a lively and irrepressible young bird who has never seen much of the world before she sets off on an epic journey to deliver the message she has found to the reader’s home.  So as far as I was concerned, the story is about Kiki’s journey of discovery as she tries to do something that she has never done before. New challenges are always daunting and Kiki has moments of over-confidence and also self-doubt, which I’m sure anyone who has ever tried to do anything new can relate too! Eventually she manages to overcome all the obstacles and meets lots of different and exciting characters, some of which are more helpful than others. I would tell you more, but I think you should read the book for yourself—it’s far more fun like that!

I really enjoyed writing Kiki’s story and I hope that you and your children enjoy reading it and being part of the adventure too.


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